The film awards season may be heating up with its underdogs and upsets at the Golden Globes, but according to AI director Dennis Babcock, the entire corporate red-carpet rodeo—with its drunken millionaires, thank-you’s to Jesus, and political jabs—is about to be obsolete.
“The future is generative artificial intelligence,” declares 42-year-old Babcock, an NYU film school dropout. “The future is telling stories from the point of view of the subject.”
Imagine, he explains over a MicroSoft Teams call with GWU!, watching a movie that actually stars Napoleon—not an actor pretending to be him. “Think Tilly Norwood, but actually real.”
Babcock is already pushing the AI filmmaking boundaries with his new, unrated documentary, appropriately titled Epstein’s List.
“It’s similar to Schindler’s List, but the focus is on the 1%,” he says. “Instead of fighting for potatoes in a concentration camp, the stars of this movie are fighting for turns with sex-trafficked prostitutes.”
From Red Carpet to Red Pilled
The film promises to immerse viewers in scenes of orgies featuring tech billionaires, dungeon encounters with a famous political power couple, and even a revealing scene involving Michelle Obama. “You won’t believe it,” Babcock laughs. “But make sure you don’t lose your lunch.” He also gloats about cameos from Stephen Hawking, Bill Gates, Jimmy Kimmel, and, of course, Donald J. Trump.
Although Babcock hasn’t secured distribution rights, he is confident in a summer release. “I’ve shopped it around to Apple, Netflix, and even A24 Films,” he says. Until opening night, however, he was kind enough to share the first 20 minutes exclusively with America’s Number One Source of Newstainment, GWU! “Picture it. New York City 2019,” the auteur narrates in his best Estelle Getty impression.
The film begins inside the Metropolitan Correctional Center, where Epstein is found unalived. The film then reimagines him waking in a morgue and escaping. Backed by an AI-generated soundtrack just reminiscent enough of U2 not to be sued for copyright, the film whisks us to Little St. James Island, where a resurrected Jeffrey Epstein documents everything the public has been kept from learning. “I want you to hear the truth from me first. You are at least owed that,” a somber Epstein says while topless in a sauna surrounded by high school cheerleaders.
“The whole movie took three weeks and $500,” Babcock brags. “Most of that was Uber Eats and Wi-Fi charges.”
Stream of Unconsciousness
Epstein’s List, he claims, offers what Jeffrey would have said if he’d lived—exposing elite politicians, late-night hosts, and A-list actors who all got down and dirty on Epstein’s private sex-soaked island playground. And because it’s made with AI, Babcock is confident he’ll avoid lawsuits or gag orders to show it at some of the premier film festivals, such as Cannes, Berlin, and Sundance.
“People want the truth from those who lived it, not filtered through some fancy Yale grad writer,” adds the man who once wrote a spec script called “Did I Do That” for Family Matters.
Babcock also argues that AI Slop and Peak Trash have a massive audience on TikTok, X, and Instagram. “The people are tired of corporate propaganda psyop films. They want to be propagandized to someone like them.”
When asked if this new AI model can actually revive the rotting-to-death movie industry, Babcock points to the shift from TV to streaming. “Everyone laughed at Netflix. Now people pay $20 a month without blinking.”
He also vows to release Epstein’s List on Rumble if necessary—and he’s already planning more productions: Who Shot JFK?, starring John F. Kennedy himself, and a Stanley Kubrick doc exposé of the moon landing, filmed on ‘the moon’.
